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PART 1

The six tones — the foundation of everything

Northern Vietnamese has six tones. They are not decoration: the same syllable with a different tone is a completely different word.

NGANG is flat and level. HUYEN falls smoothly. SAC rises sharply. HOI dips down then rises. NGA breaks in the middle with a catch. NANG drops abruptly and stops short.

Record yourself and compare with the model audio. Tones are learned by ear, not by rule.

  • ma ghost — mà but — má cheek
  • mả tomb — mã horse — mạ rice seedling
  • ba three — bà grandmother — bá aunt
  • la shout — là is — lá leaf
  • co to have — cò stork — có to have
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